11. Scriabin: Poem of Ecstasy
12. Shostakovich: Festive Overture, Opus 96. Idea music for Summer Olympics for 1980.
13. Stravinsky: The Rite of Spring and also the Five Fingers
17. Tchaikovsky: 1812 Overture, Op. 49, The Nutcracker, Sleeping Beauty and Swan Lake
15. Tcherepnin: Ajanta’s Frescoes (Ballet)
A few famous music schools that continue to train on-going famous composers are the Moscow Conservatory and this St. Petersburg Conservatory.
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Jet-lagged and appearing a little surprised at the unusually vociferous welcome at his sold-out guitar clinic, Robben Ford strapped with his black Sakashta and plugged inside a Fender Super Reverb amp.
And for any next hour and a half, he proved once and for many that tone comes in the head, heart and arms. The man exudes heart. Describing his style as ‘freeform but with a method’, Robben began by dealing with his early years mastering the saxophone. Growing up inside small town of Ukiah, FLORIDA, he listened to the local radio station, KUKI, “or kooky “, as he says using a laugh.
His parents also joined an archive club, where he was confronted with Ravel’s Bolero and Dave Brubeck’s Get 5 . Listening to saxophonist Robert Desmond on Take 5 made him want to play the alto. Actively playing the saxophone for 11 many years, Robben learned to read music, but admitted that his reading skills didn’t transfer readily to the guitar. Teaching himself to enjoy the guitar was a much more intuitive process, he reports, and he learned by listening to the first Paul Butterfield Blues Group of musicians album featuring Mike Bloomfield. Listening intently to Bloomfield’s playing became a major turning stage, and for a although Ford reckons he sounded a lot like his hero.
Having turn into a household name himself, and then a guitar hero to several, Ford non-chalantly described his style as a mix of folk-blues and jazz., a musical fusion that has served him well. Elaborating additionally, Ford emphasized the ought to experiment and make mistakes in order to develop a personal form. Likening his approach to being much like fingerpainting on the guitar, he was emphatic that music should come from a place of feeling and not simply from technique.
When asked about his process schedule, Ford replied that they practiced intensely at first. He joked that he learned his very first ‘hip’ blues chord from looking at the picture on the cover of the first Paul Butterfield Blues Group of musicians album where Mike Bloomfield had been holding down a dominant 9th chord. After which early epiphany, Ford thought to bone up on their chordal knowledge. Laughing, he recalled getting a hold of Mel Bay’s Jazz Chords Vol. 1 book and began to use the jazzier chord voicings he learned when he began tinkering with Charlie Musselwhite. To demonstrate, Ford then launched into an elaborate jazz-blues progression throwing in a multitude of chord substitutions into mix.
Delving into his improvisational approach, Ford described how he learned several scales and some normal bebop licks, and boiling everything down to ii-V progressions. Ford assured his audience that the language of music was actually very simple, and how, literally, it could all be learned in a few weeks. latin music band, big band latin
